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Andrea Mantegna (1431–1506). Mantegna excelled at three of the main tenets of Renaissance art: he was an early perfector of perspective (which he could warp masterfully), a keen observer of anatomy (which he modeled with sculptural exactitude), and he made careful studies of ancient architecture (the proportions and details of which he incorporated into his paintings). You'll find Mantegna's paintings throughout the region, from his early Madonna and Child with Saints altarpiece for Verona's San Zeno, to his work as court painter to the Gonzagas in Mantua (the Palazzo Ducale's Camera degli Sposi), to his unparalleled Dead Christ, considered the masterpiece of Milan's Pinacoteca di Brera (no small honor, considering the heavyweights inhabiting the premiere art gallery in Northern Italy).
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